“…a truly outstanding and quintessentially Lisztian reading of Rhapsodie Espagnole…”
- Michael Miller, The Berkshire Review for the Arts, 2009
Weil Recital Hall at Carnegie Hall
The Berkshire Review for the Arts
America Oggi
“…Ms. Yefimova’s fingers literally danced with passion and energy in an amazing Chopin, which kept the audience’s attention and imagination completely rapt…”
- Samira Legib, America Oggi, 2009
Weil Recital Hall at Carnegie Hall
Novosti
“…brilliant performance of a most difficult and rarely performed work (Prokofiev’s Second Piano Concerto)…deep understanding of the composer’s intent…intensity, strength of sound…”
- Anna Lukina, Novosti , 2004
Tambov Philharmonic Hall, Russia
New York Concert Review
“…five Debussy preludes unfolded in tasteful, idiomatic fashion. Les collines d’Anacapri was judged to a “T”: lithe, animatedly dancing, with finely sprung rhythmic snap… La Serenade Interrompue had a fine, grotesque swagger and La cathedrale engloutie’s buildup benefited from Ms. Yefimova’s decision to double the tempo as we hear in Debussy’s own performance.
Ms. Yefimova also did admirably with Ravel Miroirs. Oiseux tristes was cleancut and poignant. Une Barque sur l’Ocean conveyed requisite motion and liquid sense of shimmer, and Alborada del Gracioso had a goodly modicum of vitality and rhythmic swagger.
After intermission Ms. Yefimova contributed a solid account of Chopin’s Sonata No.3 in B minor, op.58…”
- Harris Goldsmith, New York Concert Review, 2004
Weil Recital Hall at Carnegie Hall debut recital
